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マインドマップギャラリー ancient dance
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ancient dance
For the postgraduate entrance examination of dance, these dances not only have profound historical heritage, but also display the unique aesthetic concepts and cultural connotations of the Chinese nation. If you need it, collect it quickly!
2024-04-03 02:36:01 に編集されました
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ancient dance
introduction
historical period
Infancy
formative period
Development period
climax period
Transition Period
Integration period
Dance subject categories
Dance performance
dance creation
dance theory
dance history
The function of dance art
entertainment function
Educational function
aesthetic function
Factors in the development of Chinese dance
sociopolitical and economic factors
ruling class factors
factors of changing times
factors of art itself
factors of cultural exchange
Chapter 1 Ancient and Xia and Shang Dances
dance
The Great Dance of the Yin Kang Family/"The Joy of the Yin Kang Family"
Ge Tianshi and three people fucked the oxtail/"Ge Tianshi's Joy"
Huangdi's "Cloud Gate Scroll"
"Da Xia"/"Xia Hu"
Yubu
The Shang King's ancestor worship dance "Da Yi"/"Mulberry Forest"
Witch dance in Shang Dynasty
"Da Shao"
Chinese pottery
Painted pottery Qin pottery Printed pottery
petroglyphs
Function
Record
sacrificial totem
impart knowledge, hunt, conquer
Classification
Guangxi Huashan Rock Paintings-Sacrifice-Ancient Luoyue People
Inner Mongolia Yinshan Rock Paintings-Animal Mimicry-Survival
Gansu Black Mountain Rock Painting-Conquest-Consistent Actions and Well-trained
Xinjiang Hutubi Rock Paintings-Reproductive Worship
Chapter 2 Zhou Dynasty Dance
Enfeoffment System and Ritual Music and Dance of Zhou Dynasty
Making gifts and making music
meaning
Function
Influence
Sixth generation dance
constitute
Wenwu
martial arts
application
One hundred and eight people
"Dawu" - the earliest successful example of ancient Chinese array dance "Wu Yixiang Gong"
Education of ritual music and dance
Rites and music education system
Liu Xiao Wu
Sacrificial dance in agrarian society
wax offering
Worship Festival
Nuo sacrifice
Redistribution of production means and dance diversion
Rituals collapsed and music collapsed
The rise of female music
Xuanjuan and Timu
Xi Tzu
Music and dance concept
Confucian view of "perfection and perfection" in music and dance
Mozi’s theory of “non-happiness”
Taoist "Dance in the Mulberry Forest"
Chapter 3 Dance of the Han Dynasty
Folk music and dance-Baixi dance
scarf sleeve dance
drum instrument dance
dancing statue
"Many Fishes and Dragons"
"The Chief Immortal Can Sing"
plot dance
"Huang Gong of the East China Sea" - a pioneer of classical drama and the beginning of Chinese opera form
Siyi music and dance
"Bayu Dance"
court dance
"Pan Gu"
self-entertainment dance
Improvisational dance
Belonging to dance
dancer
Mrs. Qi's "crouched sleeves and bent waist"
Zhao Feiyan’s “Dancing on the Palm”
Yuefu - "Huangmen Propaganda Department"
Elegant music and feasting
Buddhism
four seasons dance
Spiritual Star Dance
Artistic Characteristics of Dance in the Han Dynasty
Ideological
fairy fantasy
"The Chief Immortal Can Sing"
Knife Dance, Shield Dance, Sword Dance, Qianqi Dance, Bayu Dance
Clinging to reality
"Lingxing Dance" to worship the agricultural god Houji "Monkey and dog fight"
Improvisational dance and dance together
beauty of form
Vertical development (history)
Inherit the light beauty of spring war
Chu dance bends the waist and dances the sleeves
Horizontal Absorption (Sister Arts Borderland Outland)
Acrobatics "Pan Gu"
Martial Arts "Knife Dance"
Illusion "Huang Gong of the East China Sea"
Features: Ancient clumsiness and novelty, heavyness and softness, mutually opposite and unified aesthetic form
Music and dance thoughts
"Dance Fu" by Fu Yi
Sima Xiangru's "Zixu Fu"
Chapter 4 Dances of Wei, Jin, Southern and Northern Dynasties
Qing Shang Le
Elegant and delicate, soft and graceful, graceful and elegant, leisurely and soothing
"Mingjun"
"Cup and Plate Dance"
Four dances: scarf dance, whisk dance, tan dance, and duo dance
"White Band Dance"
Jiangnan Wuge
"Qianxi Song"
Xie Shang's "Owl Dance"
Buddhist music and dance
Music and dance figures in the grottoes
Kizil Thousand Buddha Caves
Dunhuang Mogao Grottoes
Tianlewu
Tiangong Giraku
Folk music and dance
Yungang Grottoes
The first stage, Cave 7, "Six Heavenly Offerings - Xianbei Style"
The second stage, Cave 10 "Lotus and Flying Apsara" - Zhongyuanhua
The third stage: strong Han culture, no naked body, no bare feet
Longmen Grottoes
Music and dance theory
Ruan Ji's "Music Theory"
"Etiquette goes hand in hand with changes, and joy changes with the times."
Zhong Rong's "Preface to Poems"
The movement of "qi" in the universe
Chapter 5 Dances of the Sui, Tang, Five Dynasties and Ten Countries
Ceremonial Music and Dance of Sui and Tang Dynasties and Jiaofang Music and Dance
Hedonistic dance
Seven-part music Nine-part music Ten-part music
Music and dance
Sitting skills: "Yan Music", "Longevity Music", "God-given Music", "Bird Song Long Live Music", "Chi Music" and "Broken Formation Music"
Libuki: "An Le", "Taiping Le", "Breaking Formation Le", "Qingshan Le", "Dading Le", "Shang Yuan Le", "Sheng Shou Le" and "Guang Sheng Le"
performative dance
dance
"Sword Dance", "Hu Xuan Dance" and "Hu Teng Dance"
soft dance
"Qu Zhe", "Green Waist" and "Spring Orioles"
"Daqu" and "Faqu" with rich layers
Structure and features
Prelude: free-paced instrumental intro, no singing, no dancing
Middle sequence: The beat begins, the rhythm is slow, the singing starts, and sometimes dancing follows.
Breaking: The rhythm is changeable and rapid, both singing and dancing are performed, mainly dancing, and there are climaxes one after another.
"Neon Clothes and Feathered Clothes"
Qingle style
The unity of Buddhism and Taoism
Yang Yuhuan
A song and dance drama with a human touch
"Waking Girl" and Xiliang Opera
Cold Hu Opera "Su Muzhe"
It marks that some Tang Dynasty dances have developed in the direction of expressing storylines and characters with different identities.
religious festival dance
Tage
Exchanges between Chinese and foreign music and dance
Siyi music and dance settled in China
Music and dance from the Western Regions
Three Kinds of Qiuci Music in the Sui Dynasty
Qiuci, Western Kingdom
Qi Chao Qiuci
tuqiuci
Music and dance from Southeast Asia
"Piao Guo Yue"
Music and dance from southern Xinjiang
"Nanzhao Sacred Music"
Complete and huge music and dance organization
Taichang Temple centered on rituals
A workshop with fun as its purpose
Soft dance and healthy dance
A pear garden marked by elegance
The artistic achievements and aesthetic characteristics of dance in the Tang Dynasty
Performance art
The beauty of majesty and boldness, the fighting spirit of "Sword Dance" and "Broken Formation Moon"
Lively and light feeling "Hu Xuan Wu", "Hu Teng Dance" and "Zhe Zhi" Western Regions
Light and Elegant State "Neon Clothes and Feathered Clothes" "Bodhisattva Man" Religious Superstition
Sad and euphemistic feelings "He Manzi", "Raining Bell" and "Sigh for a Hundred Years"
The Art of Directing
"Sigh for a Hundred Years" Li Keji "Nanzhao Sacred Music"
Dance Art
performance venue
dance score
Dunhuang dance score fragments
Sui and Tang Dynasty Music and Dance Theory
Dancer's appearance of music Dance is the external visual image of music Politics
Dance with elephants for merit
Dance with virtue and practice music with beauty and virtue to describe emotions
Sadness and joy in people's hearts
Ritual and Music Ningbang Kingdom Both Ritual and Music Functions and Relationships
The music and dance of the Five Dynasties and Ten Kingdoms as a link between the past and the future
The inheritance of banquets, music and dancing
The forerunner of "team dance" in the Song Dynasty
The transition from "Dancing Head" in the Tang Dynasty to "Hua Xin" in the Song Dynasty
The transition from the "dance team" of the Tang Dynasty to the "team dance" of the Song Dynasty
Chapter 8 Dance from Ming Dynasty to Late Qing Dynasty
Court music and dance
Ming Dynasty: elegant music and banquet
Qing Dynasty: "Yanglie Dance" and "Qinglong Dance"
"Dancing with Joy"
Music and dance to commemorate Confucius
Political significance and characteristics
There are strict regulations
Etiquette and music education function
"Poetry, music and dance" trinity (Shrine reading, musical accompaniment, dance performance)
The political function of "differentiating between high and low and superior and inferior"
Aesthetic guidelines for “neutral position education”
Cultural Value
Historical changes
folk dance
Han folk dance
ethnic minority dance
Minority folk dances in Southwest China
Miao "Lusheng Dance"
"Dance to the Moon" by the Yi people
Yao people's "Long Drum Dance"
Dai dance
Zhuang Nationality's "Bronze Drum"
Tibetan dances "Guozhuang", "Nangma" and "Buza Dance"
northern ethnic minority dance
Mongolian dance "Dou La"
Manchu "Mang Style" and Shaman Dance God
Minority folk dances in the northwest
Uyghur "Twelve Muqam"
Dance blends into drama
Dance in Ming legends
Legendary dance of Ming Dynasty in written records
"The Story of the Sword"
"The Story of Huansha"
"Feng Ming Ji"
The legendary dance image of the Ming Dynasty in the engraving edition
"The Peony Pavilion"/"The Return of the Soul"
Folk dance in Mulian Opera (Realistic, live horses and elephants)
Dance in local opera
Dancing in "Ran Dan Zhu Tune"
local drama
Yangko Opera
tea picking opera
Flower Drum Opera
lantern show
Kunqu Opera Dance in Peking Opera
Kunqu Opera: dance integrated into opera
Peking Opera: Stylized Expression
The Aesthetic Implications of Opera Dance
The beauty of circles and curves
The beauty of narrative in freehand brushwork - the combination of music, lyrics and dance
The beauty of virtuality and stylization
Industry specificity and characteristics
Music and dance theory and dance scores in the Ming and Qing Dynasties
Zhu Zaiyu
"The Complete Book of Rhythm"
Ten Discussions on Dance Studies
Dance score (a kind of chart of dance movement routes and formation pictures) The other type is written dance scores)
"Human Dance Score" "Turn"
"Six Generations Little Dance Score" and "Lingxing Little Dance Score"
Zhu Zaiyu’s dance theory and thoughts
Movement is the foundation of dance
Dance includes "dance form" and "dance sound"
dance composition
dance music
Dance as a symbol of etiquette
Dance is about creating images. Due to various limitations, the intention of the elegant dance Determined to be within the scope of feudal ethics, ethics and certain philosophical concepts
Dance harmonizes with heaven and earth
The development of dance lies in change
"Turn" is the door to all wonders
"Turn" body movement and its rules
The dance aesthetic principle of "turn"
The philosophical meaning of "turn"
Han Bangqi's "Yuan Luo Zhile"
Music and dance thoughts
Xu Wei: Emphasis on vulgarity but authenticity
Tang Xianzu: Deepest Love
Li Yu: Relieve depression and gain new ideas
Chapter 7 Dance of the Yuan Dynasty
Yuan Dynasty court dance
Celebration "band"
The court of the Yuan Dynasty inherited the song and dance formula of the Song Dynasty. It was a large-capacity song and dance form composed of many small teams. Historical records record the band.
Band program and occasion
"Music King"-New Year's Day Ceremony
"The Birthday Team" - Tianshou Festival Banquet
"Ritual Band" - Chao Hui
"Fa Team"-related to religion
Features
Strong national color
Inheriting Han music and dance culture
Multicultural blending
clear intentionality
Prominent religious consciousness
Feasting and dancing
"Sixteen Heavenly Demonic Dance"
"The Dance of Flying Shoes" Ning Xiang'er
Yuan Dynasty folk dance
Andai dance
dancing around trees
step on and dance
High five and dance
pour la
Traceability: It is a song and dance art form called "song", which originated from a kind of juggling. It gradually became a performance form based on singing, dancing and gags as it spread. "Bowl Dance", "Chopstick Dance", "Wine Cup Dance", etc. are all closely related to it.
Features
A performance with singing, dancing and music
Multicultural exchange
Test the actor’s artistic ability
High dance skills and emphasis on emotional expression
"Haiqing takes the swan"
Yuan Dynasty religious dance
shamanic dance "All things have animism and the soul is immortal"
Characteristics of Shamanic Dance
dance with drums
Dance like an animal
Dialogue between man and god
tibetan buddhist dance
"Chama"
"Qiangmu"
Dance in Yuan Dynasty Opera
Yuan Zaju: represents the highest achievement of Yuan Dynasty art and is the development stage of Chinese opera art. An important symbol of the mature stage, Yuan drama is an organic combination of song, dance and music. The dance in the drama It is an important means to portray the character's personality. Every move, every smile of the character is integrated with dance elements. The outstanding contribution of Yuan dramas is that song and dance performances are integrated with stories, adding to the narrative nature of dance. The main representative works are "The Injustice of Dou E", "A Chinese Girl Leaving the Soul", "Autumn in the Han Palace", "Wu Tong Rain", etc., the contents of which are based on It exposes the darkness of society and mainly reflects the suffering of the people. It combines realism and romanticism with a clear theme. The characters are distinct, and the most notable features of the structure are: one wedge with four folds and one vocalist.
"division"
"Insertive Dance"
Chapter Six: Song, Liao and Western Xia Jin Dances
The development of commercial folk dance
Folk dance of Wasegoulan
dance spin
dance judge
Wipe the falling board
Bao Luo
Barbaric cards
Prosperity and dance of royal nobles
The rise of singing and dancing in taverns
Colorful folk dance team - "Shehuo"
ride on shoulder
Mr. Bao
Murata Raku
waist drum
fanle
Features
Song Dynasty court music and dance
Team dance and Daqu song and dance
Team dance: The Song Dynasty inherited the Tang Dynasty system, based on the multi-stage song and dance suite "Daqu" of the Tang Dynasty as the basic structure, and absorbed and developed artistic forms such as poetry and dialogue. The formed art form with its own unique performance mechanism was mainly used for palace banquets and official ceremonies. Team dance sprouted in the Tang Dynasty and matured It flourished in the Song Dynasty. The Tang Dynasty and the Song Dynasty are different in connotation.
Yale Dance and Musical Dance Organization
Program Features Historical Significance
primary characteristics
Programmaticity: Daqu (prose preface, middle preface, broken), excerpted all over
Plot: Tang and Song versions of "Sword Dance"
Comprehensiveness: Music, dance, poetry styles, literature and dance combined
Reasonableness and interest: The team dance adds elements of dance logic "Lotus Picking Dance"
Elegance tendency: literati, bookish, and scholarly atmosphere - allusions to every sentence
Song Dynasty Music and Dance Theory
Chen Yang's "Book of Music"
"Users are controlled by images, and images are made clear by utensils."
Chen Shidao's "Lisu"
"Sing to imitate its sound, dance to imitate its movement" "Happiness begins with human voices and is absorbed by things, and changes when there are feelings."