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Paul Cezanne
Duplicate
Una moderna
Olympia,
1874
La casa
dell'impiccato,
1872/73
Autoritratto con
cappello, 1879-80
Natura morta,
1899
I giocatori di carte,
1895
Montagna St.Victoire,
1905
Le grandi
bagnanti di
Philadelphia,
1906
THE ARTISTIC CAREER
PAUL CEZANNE
"to perceive is also to remember": it is organized through
thought, memory and memory in the consciousness and
there is a balance between inner reality and outer reality.
The Impressionist period
"I want to paint the virginity of the world"
The synthetic period
The latest production
THE NEW ART
The new art is no longer based
on the fleeting moment that
the "petit sensation" suggests,
but wants to find the essence
of reality
Overcoming of Impressionism
Always very fast brush
strokes and with an
intense graininess are
characteristic of his art
brushstroke
He studies both space and shapes,
giving importance to light and color
to create a single harmonic
construction, giving life to almost
architectural structures.
A visionary
A protagonist of Cezanne's
paintings, it plays an
important role in the play of
light and shadow, with
juxtaposition often used.
Color
sensory, non-
conceptual
knowledge
search for virgin
perception, without
the filters of reality
-Exposed at the impressionist
exhibition of 1874 -Juxtaposition of
colors -Fast brush strokes -The
nude is full of energy in the center of
a centripetal spherical space,
enhanced by the gesture of the
woman behind him