The occurrence of primitive dance
1. Contents of Original Dance
2. Characteristics of primitive dance
(1) Strong utilitarian purpose
(2) A high degree of life sentiment
Wen Yiduo: “Primitive dance (1) mobilizes life in a comprehensive form, (2) expresses life with the essence of rhythm
(3) emphasizing life in a practical sense, and (4) protecting life in a social function. "
The division of three generations of dance
1. The origin of performance dance
[The slave-owning class’s pursuit of pleasure in music and dance]
e.g①Xia Qi's "Nine Debates" and "Nine Songs"
2. The early formation of Jigong dance
3. Witchcraft Sacrificial Dance
4. Rites and Music of the Western Zhou Dynasty
1. "Six Dances"
"Cloud Gate"
"Big Chapter"
"Da Shao"
"Summer"
《大濩》
"Dawu"
2. "Six Little Dances"
"Po dance"
"Feather Dance"
"Emperor Dance"
"The Dance"
"Dry Dance"
"Human Dance"
3.Education and sacrifice
5. The collapse of rituals and music and the rise of folk music and dance
The development of dance in the Han Dynasty
1. "Baixi" Dance
3. Plot dance
✨"Huang Gong of the East China Sea"
4.Dance statue
""The General Immortal Advocacy"
"The Spread of Fish and Dragon"
2. "Siyi" music and dance
3. Female singers and dances
✨《Pan Gu》
A. Absorbed the difficult skills of acrobatics
B. Noticing the expression of emotion
C.Creates a distinct dance image
4. Self-entertainment dance
Has a distinctive dynamic visual impact
ambiguity
broad deductive
6. ✨Artistic Characteristics of Han Dance✨
A. Ideology
(2) Perseverance in reality
e.g 1. "Dance of the Spiritual Stars"
2. "Monkey and Dog Fight"
3. Improvisational dance
4. Etiquette dance
B. Beautiful form
vertical inheritance
Inheriting the lightness and beauty of dance since the Spring and Autumn Period
Inherited the style of "Chu Dance"
Lateral absorption
Absorb contemporaneous sister art
martial arts
e.g "Knife Dance", "Stick Dance", "Sword Dance" and "Huang Gong of the East China Sea"
illusion
e.g "Many Fishes and Dragons"
✨✨The changes in dance during the Wei, Jin, Southern and Northern Dynasties
1. Qing Shang Music and Dance
1. Expressive romance
2. Elegant and elegant
3. Express feelings with eyes
4. Being light-hearted makes you strong
5. Win with cleverness
2. Hu Le Hu Dance
"Qiuci Music"
Characteristics: chic, vigorous, unrestrained, bright
✨✨3. The foundation of dance in the Tang Dynasty
1. Independence and expressive posture
① Transition from comprehensive nature to “independent art form”
②Use the dance’s own “meaningful form to express the expressiveness of dance”
③ Focus on general expressions
2. New initiatives to integrate Chinese and Western cultures
✨✨e.g "Xiliang Moon"
A product that inherits tradition, integrates different styles, and bravely innovates.
3. Preparation for “soft dance”
Dance sleeves, waist movement
The precursor of "4. Healthy Dance"
Taking Hu dance as the main body
5. The basic structure of "Yanle"
4. The Humanistic Gene of Dance Transformation
1. Social change and subject tendency
The mind is greatly liberated, and people’s personality is liberated →
Art advocates expressing personal feelings and advocating drawing from one’s true temperament and true blood.
Discover the true meaning and true value of life.
2. The inner driving force of emotion and form
"Move with the times, change with the times"
Great social unrest leads to great migration and integration of ethnic groups
3. Carpe diem for wealthy aristocrats
The grand scene of dance in the Sui and Tang Dynasties
1. Music and tricks
1. Shibu music
"Yan Le"
"Qing Shang Yu"
"Xiliang Moon"
"Tianzhu Music"
"Korea Music"
"An Guo Le"
"Shule Music"
"Kang Guoyue"
"Qiuci Music"
"Gao Changle"
It is based on the political sense that the dynasty is strong and all parties submit to it.
2. Sitting and standing postures
Sitting skills: "Anle", "Taiping Le", "Breaking Formation Le", "Celebrating Goodness"
"Dading Music", "Shangyuan Music", "Shengshou Music" and "Guangsheng Music"
Libu Ji: "Yan Music", "Longevity Music", "God-given Music", "Bird Song Long Live Music"
"Longchi Music" and "Breaking Formation Music"
A collection of works from different periods such as Tang Taizong Li Shimin, Gaozong Li Zhi, Wu Zetian, Li Longji, etc.
2. Dances of hardness and softness
"and"
1. "Dance" category
"Sword", "Hu Xuan Wu", "Zhe Zhi" and "Hu Teng Wu"
2. "Soft dance" category
"Qu Zhe", "Green Waist" and "Spring Orioles"
3. Singing, dancing and teasing
1. "Almighty" magic works
2. "Mask" and "Huxi"
✨✨"King of Lanling", "Su Zhonglang" and "Su Mozhe"
4. Banquet style dance
1. Let dance speak for itself
①The princess proposed to marry by dancing
②Dance at the banquet to ask for a title
③Admonish the emperor
2. Served with dance
Official performer, camp performer, family performer
Tang Dynasty Music and Dance Thoughts
1. Dancer's happy appearance
2. Dance with elephants to achieve merit
3. Dance with virtue
4. Dance to express emotions
5.Sorrow and joy are in people’s hearts
6. Knowing happiness makes you a gentleman
7. Liyue Ningbang Kingdom
Standards of dance in Song and Yuan Dynasties
1. Song and dance in the court of Song Dynasty
1. "Team Dance" Program
"Children's Team" Team 7, "Female Disciple Team" Team 10
For the inheritance and development of dance in the Tang Dynasty, innovations were made in both form and content.
Different cultural connotations and different numbers of people
2. "Daqu Song and Dance"
Use dance team format
"Bamboo pole", "Back line", "Hooking team", "Detachment", "Singing and dancing team", "Huaxin"
3. Characteristics of “Team Dance”
A. Programmatic characteristics (plot, structure)
Emotionally, consciously transform into plot
e.g Song and dance forms "turning step" and "daqu" in Song Dynasty
In terms of structure, it adopts selection according to needs, which is called "picking all over"
B. Comprehensive characteristics
⭐Prominently reflected in the combination of literature and dance
C. rational and interesting characteristics
D. "Elegance tendency"
"Literary flavor" and "bookishness" are a manifestation of the "elegance" of dance
E. "Learning spirit" aspect
"Team Dance" question appears while reciting the word allusion
"Clearly mentally retarded"
"soft and delicate"
✨✨4. The historical significance of team dance
Marks the establishment of the ancient Chinese dance symbol system
Marks the end of the program's history
It laid a solid foundation for the development of opera and dance in the Ming and Qing Dynasties.
2. Hedonistic dance at banquets in the Yuan Dynasty
1. The system of "band"
"Music King Team", "Birthday Team", "Ritual Band", "Faith Team"
Characteristics of bands in the Yuan Dynasty
A. The national color is very prominent
B. The "band" absorbed a large amount of Han music and dance culture
C. The imagery of “band” is very clear
D. Yuan Dynasty bands have strong religious overtones
2. Famous dancers and famous actors
✨✨"Sixteen Heavenly Demon Dance"
The transformation of dance in Ming and Qing Dynasties
1. Dance in Opera
1. Pure dance performance
2. Dance posture categories
②Accompanying expressions and body movements
④Skillful expressions and postures
2. Cultural nature of opera and dance
2. Diversification of folk dances
3. The role of literati participation in promoting
⭐4. Inheritance and development of traditional dance
A. Opera dance inherits and develops traditional dances that are divided into feminine and masculine categories.
Types of dance styles
B. Opera dance inherits and develops the "circle" principle of traditional dance
C. Opera dance further improves the intentional expression techniques of traditional dance
After the "Yongjia Rebellion", the Eastern Jin Dynasty moved southward, which affected the folk music and dance in the south and developed into →
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