Scenery mind map in editing

Regarding the mind map of scene separation in editing, scene separation refers to the visual distance and the size of the subject range in the shot, including the meaning of scene separation in film and television editing,

Edited at 2023-11-07 08:55:54

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Scenery mind map in editing

PlotWizard

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Outline

scenes in the edit

scene

meaning

The distance of visual distance and the size of the subject range in the lens frame

In a film, standards must be unified

divide

Long shot, panorama, medium shot, close shot, close-up

The panoramic series (distant shot, panoramic view) focuses on expressing the environment, while the close-up series (medium shot, close shot, close-up) focuses on expressing emotional communication.

Panoramic series - focusing on the display space, focusing on the environment and supplemented by people, emphasizing the momentum of the picture, and has a strong lyrical and freehand function

Close-up series - focuses on depicting actions, with characters as the main part and the environment as the supplement, emphasizing the texture of the picture, and has strong narrative and documentary functions

Vision is divided into small panorama, large vision and ordinary vision. Its function is to introduce the environment, express emotions and adjust the rhythm.

Panorama, also known as positioning shot, is generally used at the beginning of a paragraph; panorama is most in line with the daily viewing habits of the human eye; Panorama is also the easiest scene to lose the visual center. Uncontrolled use of panorama will make the audience boring and cause visual fatigue.

Close-up: Non-objective scene. Close-up is often used for transitions. It is used as a transition shot to alleviate visual discomfort. The reason for inserting close-up is: close-up has a weak sense of space and direction. Close-ups are divided into: cut-in close-ups and side-jump close-ups. Cut-in close-ups are used as insert shots, and side-jump close-ups are used as diversion shots.

Cut-in close-up: refers to a part of the larger scene in front. It is often used to emphasize the main action part. It uses an important person, object or action expression to make the main action complete with a scene from an extraordinary perspective that fills the screen. to continue with prominence. Function: 1. Make full use of the exciting parts of the narrative; 2. Isolate important materials from all unimportant materials; 3. Present what should be seen and eliminate all others; 4. Magnify detailed actions. ;5. To compress the passage of time; 6. To distract the audience's attention; 7. To make up for the invisible action process

Side-jump close-up: Describes a secondary action taking place elsewhere at the same time as the previous scene. It is separated from the main action, but no matter how far removed it is, it should be connected directly or indirectly with the narrative. Function: 1. Used to show the reaction of characters outside the screen; 2. Hint how the audience should react; 3. Show corresponding actions as annotations of important events; 4. Promote an important action and serve as the beginning of a narrative paragraph; 5. Replace scenes that are inappropriate or unnecessary to describe; 6. Use to distract the audience.

The significance of scene separation in film and television editing

Scenery is an important factor in determining lens selection

Decide on lens choice

1. Different scenes have different meanings.

2. Different scenes have different emotional appeals

3. Different scenes have different rhythms

4. Different scenes have different feelings at different times.

5. Different scenes have different feelings of strength and weakness.

Different scene combinations determine the difference in narrative meaning

Use shots from different scenes to express an event in a complete and layered manner

1. Using a combination of shots from different scenes can achieve the purpose of describing events clearly and hierarchically.

Scene combination methods: forward, backward, cyclic, cumulative, bipolar scene (jump type)

The contrast between the two extreme scenes can easily intensify the visual shock.

2. How to ensure visual smoothness

1. When editing, shots with the same camera position, the same subject, and the same or close scene should be avoided from being directly connected, because in most cases, such shots will cause visual jumps.

Methods to avoid: 1. Add a flash shot of about 5 frames between the upper and lower shots; 2. Insert a reaction shot; 3. Insert an empty shot related to the upper and lower shots.

2. The connection between two levels of scenes should be avoided in editing.

Visual mechanical fluency cannot replace the smoothness of content, thought, and artistic creation.

The smallest unit in film and television works is the shot, not the scene