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MindMap Gallery Narrative editing and ideographic editing

Narrative editing and ideographic editing

Narrative editing and ideographic editing, study notes, and the purpose of ideographic editing: not to narrate the plot, but to use a symbolic emotional expression method that affects vision and hearing to directly penetrate into the depth of things and express philosophical meanings. Based on lens alignment.

Edited at 2023-11-07 08:52:38

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Narrative editing and ideographic editing

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Outline

Narrative editing and ideographic editing

narrative editing

Narrating a plot and unfolding a series of events (narrating a story, equivalent to description and narration in literary creation), the purpose is to explain the plot and show the development of events

Characteristics of film and television narratives

1. There is a big difference between the events narrated and the events being narrated

2. Visual elements and auditory elements work together to narrate, and the relationship between the two is diversified.

Characteristics of narrative editing

1. Pay attention to lens recording and revealing functions

2. It is continuous in time and a whole in space (even if it is not the same space) to express the development of events and the coherence of movement.

Basis for combining shots in narrative editing

Using life logic as the basis for assembling shots

1. Continuity: the continuity of external picture modeling factors and subject actions, an event

2. Connectivity: the organic connection between the content of multiple events, the causal relationship, the connection of events occurring in different subjects, at different times and locations.

Narrative editing assembly method

1. Assemble shots in chronological order

2. Group connections according to spatial order

3. Organize connections based on logical factors such as cause and effect, response, etc.

4. The three orders are not necessarily isolated during editing, but often intersect together.

Basic tasks of narrative editing

Decomposition and combination of single actions

1. Conventional method (decomposition method): An action is divided into two different angles and shots of different scenes. The upper and lower shots each retain half of the action. Conventional actions are often used, such as walking, shaking hands, drinking water, etc.; Premise: the movement speed is consistent, the movement speed is the same, and there are no special changes in sceneries and angles; Editing point: transition point between movement and stillness

2. Scene change method (increase and subtraction method): An action is divided into two different angles and shots of different scenes. The previous shot retains one-third of the action, and the next shot retains two-thirds of the action, or vice versa. ; Suitable for: The scene angle changes greatly, such as panorama to close-up, or the speed of action is inconsistent, or the emotions of the characters are incoherent.

Decomposition and combination of scene actions

analytical method

Methods to decompose and combine narrative scenes in the same space

1. Complete recording of a single shot

2. One main lens and several short lenses inserted

3. Interleaved editing of two or more main shots

Ideographic editing

Purpose: Not to narrate the plot, but to use a symbolic emotional expression method that affects vision and hearing to directly penetrate into the depths of things and express philosophical meanings. Based on lens alignment

Features

1. It is based on the alignment of lenses. The subjects represented in the connected lenses are different.

2. It is not for the purpose of narrative, but to express emotions, moods, psychology or thoughts.

3. Not based on the logical sequence of time and space as the basis for lens assembly, but on the meaning of a connection between the lenses.

4. The lens produces hints and metaphors in the alignment.

5. This is a method of symbolic emotional expression that works on vision and hearing.

6. The meaning and function of ideographic editing are generated by the audience’s association and must have the audience’s creative participation.

Function

1. Create ideas

2. Create a rhythm

3. Create metaphors

4. Create emotional effects

structure type

1. Comparative editing

Through the strong contrast in content and form between the shots, they create a mutual reflection effect to express a certain meaning of the author.

Divided into near ratio type and far ratio type

2. Parallel editing

Two or more different time and spaces with a logical relationship, clues of different places at the same time, same place and different time appear alternately and develop in parallel.

3. Accumulated clips

Recurrence, creating effects such as emphasis, rendering, contrast; complete repetition, repetition of content and form; repetition of variations, repetition of war

4. Metaphorical editing

The juxtaposition of the two shots creates a psychological impact from the association, prompting association and imagination.