Computer games hold the potential to amplify this interactivity and the personal freedom it brings

Asking the question: How are interactivity and its politics understood in the specific new medium of video games?

In the pre-electronic era, Huizinga regarded the specific time and space in which the game took place as a "magic circle"

In the post-video game era, the game magic circle intervenes in the world by being independent from the world, which means that the magic circle is not a transcendent formalist concept.

In the digital stage of game development, the "magic circle" is no longer regarded as the focus of discussing games, and game rules are included as conditions in player interaction.

Interactivity designated as a core quality of the game

The emergence of screens between games and video games

Introducing the method of object-oriented ontology ("death" in the game is a metaphor for death in reality)

Think of video games as some sort of theatrical theme

The essence is recursive behavior

The reality of self-exposure of ideology in "Animal Crossing"

"Journey" gives the new subject a kinetic reality

Realism based on game-player interactive experience

"Perfect Day" achieves a new expression of realism in the game-player experience that connects games and reality.

For game designers to use the media characteristics of video games to create new game-realistic works

For gamers “you don’t have to play the game politically, but play the game politically.”