The poetic aesthetic models represented by "Three Cao" and "Seven Sons" are ancient and sad (Cao Cao), Benjuan is graceful (Cao Pi), and has both literary spirit and integrity (Cao Zhi)

Characteristics of the Times in Jian'an Poetry

Sancao

Seventh Son

Ruan Ji, Ji Kang, Xiang Xiu, Shan Tao, Liu Ling, Wang Rong, Ruan Xian

Ruan Ji's eighty-two "Poems of Praise of Love" created a precedent for political lyric poetry in the history of Chinese literature.

The eight poems of "Ode to History" create a new way of chanting epic poems through chanting history to express feelings. The content mainly expresses the injustice of the scholars and the contempt and resistance against the nobles.

Zuo Sifengli: vigorous style, deep emotion, full of momentum, completely different from the popular gorgeous poetry style at that time, it is the inheritance and development of Jian'an style

Zuo Si: courtesy name Taichong, written as "Sandu Fu" by Luoyang Zhigui

Also known as Qian, courtesy name Yuanliang, nicknamed Mr. Wuliu, posthumous title "Jingjie", known as "Mr. Jingjie" in the world, and his collection of works "Collection of Mr. Jingjie" (also known as "Collection of Tao Yuanming")

"Drinking", "Returning to the Garden and Living in the Fields", "Record of the Peach Blossom Spring", "The Biography of Mr. Wuliu", "Returning to the Fields"

my country's first pastoral poet

Wei and Jin Dynasties: a kind of personality beauty and artistic life pursued by people in Wei and Jin Dynasties. They use their own words, deeds, poems and prose to artisticize their own lives. Tao Yuanming is an outstanding representative of the Wei and Jin Dynasties

Da Xie vigorously created landscape poems, making landscape poems an independent poetry theme, such as "Climbing the Pool and Going Up the Tower"

my country's first landscape poet

Together with Yan Yanzhi and Bao Zhao, they are known as the "Three Yuanjia Masters"

The same clan as Xie Lingyun, known as "Xiao Xie" and "the representative writer of Yongming style"

The main achievement is the development of landscape poetry

Yongming style: a poetic style formed during the Yongming period of Qi Dynasty in the Southern Dynasties. It combines rhythm and antithesis, pays attention to the formal beauty of language and the beauty of music. It is a symbol of the formation and development of new style poetry.

In the late Southern and Northern Dynasties, poets from the south to the north were represented. The style of their works in the early period continued with the Yongming style, but in the later period, after the war and chaos, it turned into thoughts of hometown (hurt by the change, the soul is attached to the homeland, lamenting the journey, and lamenting about life experience)

Representatives of palace style poetry (gong style poetry is the main description object, and the specific themes are chanting objects and describing women

Zi Mingyuan, a writer of Song Dynasty in the Southern Dynasties. He and Yu Xin formed the "Nan Zhao Bei Xin", and his representative work is "The Difficulties in Traveling"

Guo Maoqian's "Collection of Yuefu Poems: Songs of Qing and Shang Dynasties" is divided into two categories: Wu songs and Western songs.

The content is narrow, mostly love songs, and the structure is small. It mainly consists of five characters and four sentences, the language is fresh and natural, and a lot of puns are used. The representative work is the long lyric poem "Xizhou Song"

Guo Maoqian's "Collection of Yuefu Poems: Hengchui Songs"

The content depicts the vastness and magnificence of the northern grasslands, reflecting war life, the pain of travel and conscription, and the nostalgia for homeland.

The poetic style is frank and direct, as represented by the long narrative poem "Mulan Poetry"

Liu Xie's "The Literary Mind and the Carving of Dragons"

Cao Pi's "Classical Essays"

Zhong Rong's "Poetry"

"Wen Fu" by Lu Ji of Jin Dynasty

Xu Ling's "New Ode to the Jade Terrace"

Xiao Tong's "Selected Works of Zhaoming"

Zhuge Liang's "The Master's Guide"

Li Mi's "Chen Qing Biao"

Calligrapher of the Eastern Jin Dynasty, courtesy name Yi Shao, "the sage of calligraphy", the best cursive calligraphy in the world in "Preface to the Lanting Collection"

The Second Line Calligraphy in the World Yan Zhenqing's "Manuscript of Sacrifice to My Nephew"

The third running script in the world, Su Shi's "Han Shi Tie"

Jiang Yan's "Farewell", Wu Jun's "Sishu with Zhu Yuan" (also known as "Sishu in the Song and Yuan Dynasties"), Tao Hongjing's "Reply to Zhongshu", Li Daoyuan's "Shui Jing Zhu" (a comprehensive geographical work), Yang Xuanzhi's "Luoyang" "Jialan Ji" (this book is based on Buddhist temples)

Origin of the novel: myths and legends, fables, historical biographies

The novels of the Wei, Jin, Southern and Northern Dynasties (Zhiren, Zhiguai) are collectively called notebook novels (between essays and novels)

The mature form of Chinese classical Chinese novels is Tang Dynasty Legend

Song and Yuan scripts, a mature form of Chinese classical Chinese novels

Related to social religious superstition and metaphysical trends

Qian Bao's "Sou Shen Ji"

Liu Yiqing's "Shishuo Xinyu" (also known as "Shishuo" or "Shishuo Xinshu")

Records the anecdotes and mysterious conversations of celebrities in the Wei and Jin Dynasties, a collection of romantic stories in the Wei and Jin Dynasties

Elegance is a kind of personality beauty, with four conditions: profound heart, insight, wonderful appreciation, and deep affection.