Introduction: The Nature and Methods of Aesthetics
The subject nature of aesthetics
Aesthetic research methods and reference books
The essence of beauty (1): the universality of beauty
The universal question of beauty
The Essence of Beauty (2): The Particularity of Beauty
Problems caused by the universality of beauty
The question of the particularity of beauty
The Essence of Beauty (3): Aesthetic Research
Discussions about the nature of beauty in the 1950s and 1960s
Aesthetic empiricism: analysis of beauty
psychological distance theory
Problems of Aesthetic Experience: Psychoanalysis
Writers writing and daydreaming
aesthetic ideology
Terry Eagleton "Aesthetic Ideology"
Lacan’s “mirror stage” theory
Aesthetic ideology: Feminist aesthetics
Aesthetic Ideology: Postcolonial Aesthetics
colonialism, neocolonialism, postcolonialism
Main ideas of postcolonialism
Criticism and reflection on Orientalism in Chinese academic circles
How to evaluate postcolonialism
Aesthetic ideology: class identity and aesthetic taste
The emergence of the leisure class
Society's aesthetics are constructed by monetary standards
Aesthetics of Art: Hegel’s Philosophy of Art
The position of aesthetics in Hegel’s philosophical system
Beauty is the perceptual manifestation of the absolute idea
Categories and Characteristics of Art
Art Aesthetics: The Boundary Issue of Art and Heidegger’s Theory of the Origin of Art
Heidegger "The Origin of the Work of Art"
Art Aesthetics: Benjamin’s Theory of Art
Aesthetic Category (Part 1) Tragedy and Comedy
A Semantic Study of the Concept of Tragedy
The historical evolution of tragic consciousness
Semantic understanding of comedy
A historical exploration of the nature of comedy
Basic characteristics of comedy
Aesthetic Characteristics of Comedy
Aesthetic Categories (Part 2) Beauty and Sublimity
A historical review of the concepts of beauty and sublimity in Western aesthetics
A historical review of the concepts of beauty and sublimity in Chinese aesthetics
Aesthetics: why and what
What is aesthetics: the subject characteristics of aesthetics
Aesthetics: reflections on aesthetic phenomena
Aesthetics: the search for aesthetic laws
Aesthetics: An analysis of aesthetic culture
What is aesthetics: the subject nature of aesthetics
The subject positioning of aesthetics
Aesthetic research object
Four Dimensions of Aesthetic Relationships
Aesthetic ontology (1): Aesthetic disenchantment of the perceptual world
The Law of Beauty and the Essence of Beauty
Aesthetics: Proof of Divine Order
Aesthetic Ontology (2): The Rise of Subjectivism and the Birth of Perceptualism
The signs and birth of sensibility
Aesthetic Ontology (3): Kantian Aesthetics and Aesthetic Modernity
epistemological issues
The Copernican revolution in epistemology
Ethics
People legislate for themselves
People are ends, not means
The contradiction between necessity and freedom
aesthetics
Happiness without any benefit
Conceptless but universal
purposiveness without purpose
Aesthetic commonality, conceptual commonality
Aesthetic Empiricism (1): Ontological Ontological Deconstruction and Voluntarist Aesthetics
Schopenhauer's Will Theory Aesthetics
Nietzsche's Irrational Aesthetics
The core of Nietzsche's thought
Dionysian spirit and Apollonian spirit
Aesthetic Empiricism (2): Psychoanalytic Aesthetics
Freud
structural theory of mind
psychoanalytic aesthetic analysis
Jung
Archetype: original image
Aesthetic Empiricism (3): Psychological Aesthetics
Experimental Aesthetics: Fechner
Psychological distance says: Blow
Gestalt Psychology Aesthetics
Aesthetic Constructivism (1): Aesthetics and Ideology
The post-ideological era (the end of ideology)
History of the Concept of Ideology
The connotation of ideology
The relationship between aesthetics and ideology
Aesthetic Construction Theory (2): Class and Aesthetic Taste
Aesthetic Constructivism (3): Criticism of One-Dimensional Society and Cultural Industry
Marcuse: Instinctive Revolution and New Perceptual Aesthetics
One-dimensional society and technical rationality
Art forms in developed industrial societies
new perceptual aesthetics
Adorno: Negative Dialectics, Critique of the Culture Industry
Critique of the Culture Industry "Dialectics of Enlightenment"
The art of cultural industry
Philosophy of Art (1): The Essence and Definition of Art
On the Essence of Traditional Art
Philosophy of Art (2): Art Criticism and Aesthetic Taste Issues
Explaining intention: intentionalism, anti-intentionalism
Evaluation object: objectivism, subjectivism
Interpretation of results: monism and pluralism
Criterion of criticism: aesthetic taste
Philosophy of Art (3): The End of Art and its Reflections
Hegel's theory of the end of art
dialectics of antithesis and antithesis
Dialectical Movement Process of Absolute Spirit
Three stages of artistic development
Arthur Danto's The End of Art
All works of art are related to a specific social and historical context
Art works are always under the influence and restraint of tradition
Art development must have a direction
Casbitt "The End of Art"
Combining post-art with daily life
Post-art has become an object of mass entertainment consumption
Reflections on the end of art theory
What is the essential problem?
Philosophy of Art (4): Aestheticization of Daily Life
Aestheticization and fashion of daily life
The origin of the aestheticization of daily life
Wondershare EdrawMind
